“It’s a scenario ripe for males benefiting from younger women,” Ms. Powers stated within the documentary. “Sexual predation as an inconvenience in pop music is so outdated. It’s been occurring for many years, centuries.”
“I didn’t worth the accusers’ tales as a result of they had been black girls.”
When Probability the Rapper stated this within the ultimate episode of the documentary, he was chatting with a higher drawback: that black women are usually not considerd after they converse up, and that they expertise “adultification” — which means they’re perceived as older and fewer harmless than white women, so there tends to be much less shock when they’re sexualized.
This has been supported by analysis, most notably in a 2017 examine revealed by Georgetown Regulation which discovered that adults see black women as “much less in want of safety as white women of the identical age,” based on Rebecca Epstein, certainly one of its authors.
A Instances Opinion piece this week introduced up the movie “NO! The Rape Documentary,” created 20 years in the past by the filmmaker Aishah Shahidah Simmons. It was initially rejected by distributors, and in 1998, an government from HBO advised Ms. Simmons: “Let’s face it, very sadly, most individuals don’t care concerning the rape of black girls and women, and due to this fact we’re involved that there received’t be many viewers who will tune in.”
[Enroll right here for this text, In Her Phrases, about girls, gender and society.]
“Enjoying intercourse for laughs.”
In an essay this week, my colleague Aisha Harris, a tv editor, examined how “two cultural touchstones” helped maintain individuals laughing at Mr. Kelly, thus serving to to form the general public’s notion of the accusations.
The primary was a 2003 sketch from “Chappelle’s Present” referred to as “(I Wanna) Pee on You,” which parodied a extensively distributed intercourse tape that appeared to point out Mr. Kelly urinating on a 14-year-old lady. The second was a 2005 episode of the animated collection “The Boondocks” titled “The Trial of R. Kelly,” wherein a predominant character, a boy named Riley, defends Mr. Kelly, saying: “I’ve seen that lady! She ain’t little. I’m little.”